- Song-wide settings
- EFct (global song-wide multi-effects) page
EFct (global song-wide multi-effects) page
This page houses settings for global song-wide multi-effects. In addition to track-specific multi-effects, each track has effect sends for global reverb, chorus, delay 1 and delay 2 effects defined on this page.
1. dL.Ln Delay 1 Length
Length of delay in beats (one beat is one quarter note) for delay unit 1. For song BPMs below 80, options will be reduced.
4. d2.Al Delay2 Algorithm
Specifies the algorithm for the second delay unit. Choose between;
- dly (delay); standard delay, identical to delay 1
- spkl (sparkle); applies ring modulation and a one octave pitch shift (up). Depending on the patch this introduces "pleasant" high frequency overtones such "sparkles" and "shimmers".
5. dL.Ln Delay 2 Length
Length of delay in beats (one beat is one quarter note) for delay unit 2. For song BPMs below 80, options will be reduced.
8. Vn.Cr Vinyl Crackle
The amount of emulated vinyl crackle to introduce into the mixer. Negative values for this parameter will only add vinyl crackle while the song is playing.
9. ch.SP Chorus Speed
Speed by which chorus effects unit bounces between chorus time 1 ("ch.t1") and chorus time 2 ("ch.t1").
10. ch.t1 Chorus Time 1
Time delay 1 between original signal and output signal. Chorus unit will bounce between chorus time 1 ("ch.t1") and chorus time 2 ("ch.t2") according to speed ("ch.SP").
11. ch.t2 Chorus Time 2
Time delay 2 between original signal and output signal. Chorus unit will bounce between chorus time 1 ("ch.t1") and chorus time 2 ("ch.t2") according to speed ("ch.SP").
12. ch.AL Chorus Algorithm
Specifies the algorithm that should be used for the chorus FX unit;
- 'Chrs' (chorus) uses a regular stereo chorus algorithm
- 'Phas' (phaser) uses a phaser algorithm
13. rv.Fb Reverb Feedback
Specifies reverb feedback, impacting how long the "tail" of a sound will be.
14. rv.tM Reverb Time
Specifies reverb time, with longer times sounding more cavernous (for example a cathedral) and short times sounding more compact (for example a studio space).
15. Hal.N North pole Hall sensor mapping
Specifies which parameter the detected south pole magnetic field strength should map to;
- 'Off'; the sensor will not respond to a magnet for this polarity
- 'Fltr'; magnet proximity will cause filter to close for this polarity
- 'FLFO'; magnet proximity will cause filter LFO to modulate filter cut-off frequency for this polarity
- 'PLF.1'; magnet proximity will allow pitch LFO 1 to modulate for this polarity
- 'PLF.2'; magnet proximity will allow pitch LFO 2 to modulate for this polarity
- 'PL.1.2'; magnet proximity will allow pitch LFO 1 and 2 to modulate for this polarity
- 'Vol'; magnet proximity will cause volume to decrease
- 'ALF.1'; magnet proximity will allow amplitude LFO 1 to modulate for this polarity
- 'ALF.2'; magnet proximity will allow amplitude LFO 2 to modulate for this polarity
- 'AL.1.2'; magnet proximity will allow amplitude LFO 1 and 2 to modulate for this polarity
16. Hal.S South pole Hall sensor mapping
Specifies which parameter the detected south pole magnetic field strength should map to;
- 'Off'; the sensor will not respond to a magnet for this polarity
- 'Fltr'; magnet proximity will cause filter to close for this polarity
- 'FLFO'; magnet proximity will cause filter LFO to modulate filter cut-off frequency for this polarity
- 'PLF.1'; magnet proximity will allow pitch LFO 1 to modulate for this polarity
- 'PLF.2'; magnet proximity will allow pitch LFO 2 to modulate for this polarity
- 'PL.1.2'; magnet proximity will allow pitch LFO 1 and 2 to modulate for this polarity
- 'Vol'; magnet proximity will cause volume to decrease
- 'ALF.1'; magnet proximity will allow amplitude LFO 1 to modulate for this polarity
- 'ALF.2'; magnet proximity will allow amplitude LFO 2 to modulate for this polarity
- 'AL.1.2'; magnet proximity will allow amplitude LFO 1 and 2 to modulate for this polarity
You may also be interested in...
- Auditioning (under Tracks)
If the current (or last) selected track was the lead (Ld) track, pressing 1-16 will allow you to play the lead sound.
- AI DSP resource allocation optimizer (under Understanding DSP load)
The AI works in the background and training data is saved along with your song.
- 16 x 16 x 16 x 16 (under The very basics)
Many other devices swap this, and often give you a number of tracks per pattern.
- Arranging techniques and tips (under Fragments; arranging and building your song)
The Woovebox' powerful conditional triggering already tends to make sure that changes take place regularly.
- 14/A6/Sampler Demo mode; disable autosave (under Boot modes)
By keeping 14/A6/Sampler pressed while turning the device on, autosave is turned off.